Rolling Blackouts Coastal Fever

Rolling Blackouts Coastal Fever

Dot Dash

Sun May 6

Doors: 7:30 pm / Show: 8:00 pm

$12.00 - $14.00

This event is all ages

Rolling Blackouts Coastal Fever - (Set time: 9:00 PM)
Rolling Blackouts Coastal Fever

With their debut 2015 EP, Talk Tight, Rolling Blackouts Coastal Fever proved to be one of those special bands that arrives seemingly out of nowhere with a fully realized aesthetic. No tentative baby steps or half-formed experiments for this lot; Talk Tight exuded confidence and purpose, yielding five propulsive, jangly pop gems that felt instantly familiar. And its appeal was cross-generational. If you were raised on ’80s college rock, you could revel in nostalgic nods to the Feelies, the Clean, the Go-Betweens, and countless other Velvets revisionists. Younger fans could hear the sort of band the Strokes might have turned into had they aged more gracefully, or imagine what Real Estate might sound like after downing a case of Red Bull.

But while working from an old, dog-eared indie rock blueprint, the Melbourne band take great delight in redrafting the lines. With three distinctive singer-guitarists—Tom Russo, Fran Keaney, and Joe White—at the helm, Rolling Blackouts Coastal Fever don’t operate so much like a traditional rock band as an improv theater troupe riffing on a pre-established theme. The locomotive rhythm may be locked in, but each member is free to ride it wherever they please. A Rolling Blackouts song rarely retraces its steps, often eschewing standard verse/chorus/verse structure for a parade of changing melodic motifs that are passed around the singers like hot potatoes. In the case of Talk Tight highlights like “Clean Slate,” that meant you essentially got three great songs for the price of one.

It’s a trick that (the now abbreviated) Rolling Blackouts C.F. still pull off with great aplomb on follow-up EP The French Press. Its six songs shine just as bright as those on Talk Tight, but they cast longer, darker shadows. You can sense the subtle change in temperament within the first 30 seconds of “French Press,” where the band work a taut motorik build reminiscent of Broken Social Scene’s anxious anthem “Cause = Time.” Taking full advantage of their Forster/McLennan-style dynamic, Russo and Keaney play the roles of brothers—one traveling abroad, the other stuck at a miserable desk job—as they try to converse over a patchy Skype connection. But as the song’s incessant forward motion intensifies, the technological divide comes to symbolize the emotional one at the core of their relationship: “Brother don’t you know,” Russo sings, “that jealousy’s a curse, and what’s worse is the silence/Strange… you’re moving out of range.”
Dot Dash - (Set time: 8:00 PM)
Dot Dash
Dot Dash is from Washington D.C. Their music has been described as garage, power pop, punk, post-punk, indie rock and “post mod” (although no one’s really sure what that last one means.)

WASHINGTON POST: “Everything we've ever read about Dot Dash plays up the group's collective resume: Singer/guitarist Terry Banks was in St. Christopher and the Saturday People before teaming up with bassist Hunter Bennett in acclaimed indie-rock band Julie Ocean and drummer Danny Ingram co-founded harDCore band Youth Brigade. Very impressive. But we're more interested in the music, a retro cocktail that recalls the yearning indie-pop of Sarah Records; the '80s neo-Byrds jangle of R.E.M., Orange Juice and other seminal college radio artists, and the tight, throbbing basslines and slashing guitars that evoke the Jam and the Clash."

HEAR A SINGLE: "Searchlights, Dot Dash’s fifth album in five years feels like The Replacements if they were a UK New Wave band… ‘Summer Light’ is wonderfully moody, ‘Holly Garland’ would be at home on an album by The Vapors or The Only Ones. ‘Something In-Between’ could be prime time Jam-era Weller. ‘Daddy Long Legs’ is Dr Feelgood to a tee. Searchlights has gripped me -- a corker of an album and if you get the chance to see them live, do."

50 THIRD & THIRD: Dot Dash’s latest record, Searchlights (their fifth, all on Ottawa’s The Beautiful Music) pumps out 15 catchy, guitar driven tunes wrapped in a huge aircraft hangar production by Missy Thangs (Ex Hex).Their sound is timeless -- drenched in the power pop sound of bands like The Plimsouls or Teenage Fanclub with the looseness of The Replacements.”
Venue Information:
DC9 Nightclub
1940 9th St. NW
Washington, DC, 20001